Karen Dreyfus - Guest Professor  

Short-term courses only

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"Ms. Dreyfus was the soloist and a superb one."

— Seattle Post

"Karen Dreyfus, an artist who can interpret and make meaningful pieces masterpieces."

— L'Essor Sarlardais, France

"Dreyfus electrifies" ..."a wholly different order of musician- an order beyond talent, dedication and technical proficiency."

— Poughkeepsie Journal

"We were afforded the chance to appreciate the outstanding skills of violist, Karen Dreyfus."

— Manchester, England

"Suberb...a real virtuoso!"

— Fanfare Magazine

         Teaching Language

         _ English

         USA

         Manhattan School of Music, New York

         USC Thornton School of Music, LA

 

Karen Dreyfus enjoys a wide-ranging career, as a noted orchestral soloist, recitalist and chamber musician, and as a pedagogue. Prized for her impassioned musicianship and her rich mahogany tone, she has inspired a variety of contemporary music’s finest composers to write scores specifically tailored to her communicative talents.

Born into a family of musicians, Dreyfus began studying the violin with her father, a member of the Philadelphia Orchestra, before pursuing the career of a concert violist under the tutelage of the longtime master, Leonard Mogill. A graduate of the Curtis Institute of Music, where she studied with Michael Tree and Karen Tuttle, Dreyfus was subsequently a prizewinner of such prestigious musical competitions as the Washington International Competition, the Lionel Tertis International Viola Competition, and the Naumburg Viola Competition. 

Karen Dreyfus soon moved to New York City, and to the world stage, concertizing extensively in the United States, Canada, Europe, Asia and South America. She has performed in such ensembles as the New York Philharmonic and the Orpheus Chamber Orchestra, with Musicians From Marlboro, the Theater Chamber Players of the Kennedy Center and Philomusica, and she has collaborated with such legendary artists as Yehudi Menuhin,  Alexander Schneider, Leon Fleisher, jazz great Chick Corea, and her husband, Glenn Dicterow as well as performed chamber music with members of the Budapest, Galimir, Guarneri, Tokyo and Emerson quartets.

Her wide discography includes traversals of such classics of the literature as the Mozart Sinfonia Concertante (alongside violinist Glenn Dicterow) and Walton’s Viola Concerto, beside her collaborations in the chamber music of Dvorak, Strauss and Turina. Dreyfus’s first recording as a recitalist, entitled Romanze (Bridge Records), essaying a program of Hindemith, Schumann, Debussy, Falla and Bruch, won considerable acclaim, the American Record Guide citing her as “a terrific player with impeccable technique and intonation, beautiful tone, and real musicianship. Her playing is highly expressive and responsive to the many moods elicited by this varied program.”

When the classically schooled jazz pianist Chick Corea composed his Lyric Suite for Sextet, he engaged his longtime colleague, vibraphonist Gary Burton, and a quartet of the finest chamber players, including Karen Dreyfus. The resultant recording, for the ever-searching ECM label, was subsequently nominated for a Grammy Award as Best Chamber Music Performance. Many equally searching, equally lyrically focused composers have subsequently written scores specifically for Dreyfus. She has recorded two CDs of contemporary viola concertos for the MMC label, American Journeys and Karen Dreyfus Viola Concertos Volume II. She and the composer William Thomas McKinley have had a special connection, he writing several concertos for her, plus the gloriously nimble Concert Variations for Dreyfus and Glenn Dicterow.

In recent decades, Dreyfus has found a particular niche as a teacher. She joined the faculty of the Juilliard School, leading a sonata class for violists and pianists, among other duties. She has also taught at New York’s Third Street Music School Settlement, SUNY Purchase and Queens College. Currently Karen Dreyfus is a member of the viola faculty of the Manhattan School of Music, where she also participates in the Graduate Program in Orchestral Performance and teaches viola and chamber music at the USC Thornton School of Music in Los Angeles.

During the summer season she is on the faculty of Santa Barbara’s Music Academy of the West, while performing and teaching in a variety of music festivals and academies around the nation, and beyond.

Recently Karen Dreyfus and Glenn Dicterow performed as a soloist with the Shanghai Symphony and Guangzhou Symphony Orchestras along with coaching members of the Guangzhou Symphony Orchestra. 

Dreyfus is a founding member of the Lyric Piano Quartet – whose initial recording for Black Box Records was nominated as an “Editor’s Choice” by Gramophone Magazine – and the Amerigo Trio, touring with both groups. And in her spare time, she has often been a “first call” session player on numerous movie soundtracks, and pop, jazz and rock recordings.

凯伦·德雷福斯 (Karen Dreyfus) 拥有辉煌的职业生涯,她是著名的管弦乐独奏家、独奏家和室内音乐家,也是一名教育家。她因热情洋溢的音乐才能和华美如桃花心木色泽般的琴声而备受赞誉,她与当代音乐界许多最优秀的作曲家有过合作,其中多数作曲家曾专为她谱写过乐曲。 

 

凯伦·德雷福斯出生于一个音乐世家,自幼跟随她身为美国费城交响乐团演奏员的父亲学习小提琴,在伦纳德·莫吉尔教授的指导下,她走上了职业中提琴家的演奏生涯。 凯伦·德雷福斯毕业于美国柯蒂斯音乐学院,期间她师从迈克尔·特里和凯伦塔特尔,并在华盛顿国际比赛、昂内尔·特帝斯国际中提琴比赛和瑙姆堡中提琴比赛等著名音乐比赛中获奖。 

 

凯伦·德雷福斯在世界范围内拥有广阔的舞台,她曾在美国、加拿大、欧洲、亚洲和南美洲举办巡演。她还曾与纽约爱乐乐团和俄耳甫斯室内乐团等世界知名乐团合作,并与耶胡迪·梅纽因、亚历山大·施奈德、莱昂·弗莱舍等传奇艺术家合作。除此之外,她还同布达佩斯四重奏、加拉米安四重奏、瓜奈利四重奏、东京四重奏和爱默生四重奏等世界知名室内乐演奏团体合作。 

 

除了诠释德沃夏克、施特劳斯和图里纳等作曲家的室内乐作品外,她还曾与小提琴家格伦·迪克特罗合作,录制过莫扎特《小交响曲协奏曲》和沃尔顿《中提琴协奏曲》等经典曲目。美国唱片指南称她的演奏“具有无可挑剔的技巧和音色、以及真正的音乐才能。她的演奏极具表现力,并且情感表达极为细腻精准。” 

 

近年来,德雷福斯任教于茱莉亚音乐学院,担任中提琴及钢琴系的奏鸣曲课程导师并兼任其他职位。她还曾在纽约第三街音乐学校、纽约州立大学和纽约皇后学院任教。凯伦·德雷福斯还曾在曼哈顿音乐学院中提琴系就读,修读管弦乐表演研究生课程,她还在洛杉矶南加州大学桑顿音乐学院教授中提琴和室内乐。 

 

在夏季,德雷福斯还在圣巴巴拉西部音乐学院任教,同时在全球各大音乐节和音乐学院进行表演和教学工作,德雷福斯近期还与上海交响乐团和广州交响乐团合作同台演奏。德雷福斯是抒情钢琴四重奏的创始成员,其为黑盒厂牌录制的首张唱片被《留声机杂志》提名为“编辑推荐”。在业余时间,她经常为还电影原声带、流行音乐、爵士乐和摇滚乐唱片进行首次配乐录音。